卡门·维达尔（Carmen Vidal）是一名私家侦探，沉迷于披萨、啤酒和大麻。为了给同事的死报仇，她与一名犯罪参议员展开斗争，这是一部关于自我提升的现代黑色电影。

Detective Detective Detective is a comedy about three brothers who spend a week in the Alaskan wilderness playing a live action role-playing mystery game. All in their late 20's/early 30's, they've lost touch over the years -- partially due to general "adulthood," but also due to some past grievances that took root and allowed bitterness to set in. Set against a majestic Alaskan backdrop, the brothers improvise their way through a mystery set up by a Game Master. They play detectives tasked with investigating the mysterious disappearance of world-renown, reclusive author, Adrian Belmont, who vanished while researching Inuit mythological creatures called Qalupaliks. As the detectives are challenged with increasingly difficult puzzles within the game that take away their senses (vision, hearing, talking), they are forced to rely on one another, and find their real-world conflict coming out in the game's world. In the end, in order to find the missing author, they must first find their ...

《戈尔·维达尔的戈尔·维达尔》（Gore Vidal’s Gore Vidal）是英国广播公司（BBC）《综合节目》（Omnibus）系列的一部纪录片，于1995年首次播出。这部分上下两集的人物传记影片通过走访与他过去相关的场景来展现戈尔·维达尔的一生。

This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.

Carmen, wants to fame .. and can not find a solution but lying, but fall in love (Tawfiq), putting it in comic situations.

In more repressed times, Carmen was one of NZ's most colourful and controversial figures. Geoff Steven's doco traces the life story of the transgender icon who was born in Taumarunui in 1936 and went on to be a dancer, sex worker, madam, cafe owner — and one of the few non-MPs to appear before the Privileges Committee.

In a small village close to the mountains, Mariana and Puiu are a young family with two children: Carmen and Mircea. One morning, the mother and the ten year-old daughter leave for Bucharest, having a hospital as their destination. One doctor alone, Sitaru, believes that Carmen, who can no longer smile, stands any chances at survival. He believes he can perform a miracle and save Carmen's life. Struggling for her daughter, abandoned by almost everybody she trusted, Mariana discovers she is pregnant. After dr. Sitaru operates on the little girl, in a risky manner, Carmen begins to feel increasingly worse. Without any hope, Mariana leaves the hospital and rushes to take Carmen home: while one life ends, another one begins to flicker.

Goran is a literary student who writes erotic stories to support himself is introduced to Carmen, who was born in extramarital relationship of an opera singer. Goran tries to get rid her of drugs and prostitution. Deeply depressed Carmen blames his mother for her own misery, which gets even worse after her death. A sense of guilt because of her mother's death leads Carmen to insanity.

Modern adaptation of the classic operatic drama, with a few twists. Micaela, José's Mother, and Mörd (Death) are played by the same dancer. The action is reduced to a single act in 13 scenes. The love scenes are played to a minimum and the working women's fight is adjourned to the last scene [and cut from some DVD editions] that concentrates all the pathos announced throughout by the eerie music.

Carmen, by Chloë Sevigny, is the 13th commission from Miu Miu Women’s Tales, the short-film series by women who critically celebrate femininity in the 21st century. Carmen has a loose, voyeuristic, improvisational mood that reflects Sevigny’s interest, making a short-film about process, being a woman, celebrity and ego.